Doctoral candidates
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Alessandro Anatrini (Research Associate at the Garduiertenkolleg KiSS)
Signal to space: Live acoustic transfiguration
First reviewer: Prof. Dr. Georg Hajdu
Second reviewer: Dr. Rama Gottfried
Dr. Greg Beller (Research Associate at the KiSS Graduate School)
Natural Interfaces for Computer Music
First reviewer: Prof. Dr. Jacob Sello
Second reviewer: Prof. Dr. Georg Hajdu
Benedict Carey
From Mimetics to Memetics
First reviewer: Prof. Dr. Georg Hajdu
Second reviewer: Prof. Dr. Jacob Sello
Pedro González Fernández
Moving Together: creating immersive, multimodal, interactive scores for interdisciplinary composition and performance in contemporary Wester Art Music.
First reviewer: Prof. Dr. Georg Hajdu
Second reviewer: Prof. Fredrik Schwenk
Xiao Fu
Tracking, mapping and generative processes in experimental dance performance
First reviewer: Prof. Dr. Beatrix Borchard
Second reviewer: Prof. Dr. Manfred Stahnke
Third reviewer: Prof. Dr. Jacob Sello
Florentine Gallwas
The type of internationally active violin soloists, using selected examples from the years 1960 to 1990
First reviewer: Prof. Dr. Reinhard Flender
Second reviewer: Prof. Dr. Friedrich Geiger (University of Hamburg)
Todd Harrop
Lost in Harmonic Space: Navigating Music Without an Ocatve
First reviewer: Prof. Dr. Georg Hajdu
Second reviewer: Prof. Dr. Manfred Stahnke
Benjamin Helmer
Microchromatic striving in contrapuntal rigor
First reviewer: Prof. Dr. Manfred Stahnke
Second reviewer: Prof. Volkhardt Preuß
Fredrik Mathias Josefson
Method and toolkit for Saptializing 3D Audio Using Artificial Intelligence
First reviewer: Prof. Dr. Georg Hajdu
Second reviewer: Prof. Fredrik Schwenk
Third reviewer: Prof. Bill Brunson (Royal College of Music Stockholm)
Kristin Kuldkepp (Research Associate at the KiSS Research Training Group)
Gesture driven spatial sound: researching free improvisation
First reviewer: Prof. Thomas Görne (HAW Hamburg)
Second reviewer: Prof. Dr. Jacob Sello
Joaquin Nicolas Macedo
Experimental music as an intermediate space
First reviewer: Prof. Dr. Gordon Kampe
Second reviewer: Prof. Dr. Nina Noeske
Christian Märkl
Electroacoustic manipulation of real sound spaces in the context of spatialization and artistic design
First reviewer: Prof. Dr. Jacob Sello
Orestis Papaioannou
Text and voice: Aspects on hybrid voice techniques in the contemporary music theatre and composition of the original opera "The Fall of the House of Commons"
First reviewer: Prof. Dr. Gordon Kampe
Second reviewer: Prof. Dr. Nina Noeske
Christian Renz Paulsen
Confrontation of elements of jazz with composed (reflected) art music from the European tradition
First reviewer: Prof. Dr. Reinhard Flender
Second reviewer: Prof. Wolf Kerschek
Carlos Andrés Rico
Music intervention in public spaces as strategy to promote social integration
First reviewer: Prof. Dr. Georg Hajdu
Second reviewer: Prof. Dr. Manfred Stahnke
Lorenzo Romano
Listening as Creative Act: Reworking of material as process for stimulating creativity in composition as seen in the chamber opera La Luna
First reviewer: Prof. Dr. Reinhard Flender
Second reviewer: Prof. Fredrik Schwenk
Elise Schobeß (Research Associate at the KiSS Research Training Group)
La vache qui rit
First reviewer: Prof. Dr. Julius Heinicke
Second reviewer: Prof. Sabina Dhein
Andrea Schöbi
Music therapy for patients with acquired severe speech disorders: What can neurocognitive models of language and music processing contribute to successful music therapy
Aigerim Seilova
Aspects of 21st century instrumental theater in the context of multimedia opera: interpretation. Improvisation. Multimediality
First reviewer: Prof. Dr. Georg Hajdu
Second reviewer: Prof. Dr. Nina Noeske
Third reviewer: Prof. Elmar Lampson
Stefan Troschka (Research Associate at the KiSS Research Training Group)
The aesthetic perception and design of music and sound design in virtual space
First reviewer: Prof. Thomas Görne (HAW Hamburg)
Second reviewer: Prof. Dr. Jacob Sello
Ioana Tzoneva
Bulgarian folk singing - Belting. A historical and technical comparison of the two singing styles
First reviewer: Prof. Dr. Beatrix Borachard
Second reviewer: Prof. Dr. Winfried Adelmann
Benchao Yang
The influence of traditional Chinese design features in music and their connection with Western composition techniques using the example of selected works of different genres as well as their evaluation in Chinese and Western specialist literature
First reviewer: Prof. Fredrik Schwenk
Second reviewer: Prof. Dr. Gordon Kampe
Yiran Zhao
Composing body movements Body movements as musical material and compositional element
First reviewer: Prof. Dr. Gordon Kampe
Second reviewer: Prof. Dr. Nina Noeske
Alumni
Dr. Maximilian Ebert
Music (an-)aesthetics Conceptualization and introduction to its categorization as well as its theoretical-analytical positioning and artistic exploration
First reviewer: Prof. Dr. Manfred Stahnke
Second reviewer: Prof. Dr. Reinhard Flender
Dr. Nora-Louise Müller
The Bohlen-Pierce Clarinet. Theoretical Aspect and Contemporary Applications
First reviewer: Prof. Dr. Georg Hajdu
Second reviewer: Prof. Dr. Manfred Stahnke
Dr. Samuel Penderbayne
Cross-genre composition: encoding characters in the chamber opera I.th.Ak.A. with semiotic elements derived from commercial music genres.
First reviewer: Prof. Fredrik Schwenk
Second reviewer: Prof. Dr. Reinhard Flender
Third reviewer: Prof. Dr. Georg Hajdu
Dr. Peilei Shang
Hybridity of the Chinese Oldest Instrument Quin and Western Orchestra
First reviewer: Prof. Dr. Manfred Stahnke
Second reviewer: Prof. Dr. Georg Hajdu
Third reviewer: Prof. Xiaoyong Chen
Dr. Yijie Wang
The opera Yang Guifei - The Emperor's Concubine History of the material, composition process and reception
First reviewer: Prof. Dr. Beatrix Borchard
Second reviewer: Prof. Dr. Georg Hajdu
Third reviewer: Prof. Xiaoyong Chen